Last year I visited the Musical Road in Lancaster, California. One of the reasons I went there, was to see if the second incarnation of the road was as badly out of tune as the original one, which was created by Honda for an advert.
Here is a recording I took from a microphone inside the car:
In case you are in doubt how the tune should sound (it is a bit of the William Tell Overture) here is a midi version :
The road is never going to have the best musical timbre, but even allowing for that, nearly ever note in the tune is flat because most of the grooves have been spaced too far apart.
A musical road creates a tune out a set of grooves cut into a road. Every time the wheel hits a groove, it creates a little vibration. Where the grooves are spaced far apart, then these impulse are created one after the other at a slow rate and a low frequency note is created. When the grooves are close together the frequency of the note is higher because the impulses are created one after another more quickly. (It is similar to how a rumble strip at the side of a highway creates a buzz when you drive over them). Standing by the side of the road in Lancaster, you can clearly see the changing patterns of grooves with their different spacings.
The above graph shows the frequency of road extracted from my audio recording compared to the correct frequency needed for the tune. If the musical road was in tune, all the blue diamonds would lie on the red line. The part of the William Tell Overture being reproduced spans an octave, so with a starting frequency of 217 Hz, I would expect the highest note to be at 434 Hz, but the road is painfully flat, producing 333 Hz.
I also took a tape measure and spent time dodging cars and measuring the physical size of the grooves and the spaces between. The important distance is the total of the spacing between adjacent grooves plus the width of one groove. Using this distance (along with the speed of the car), it is possible to calculate the frequency you would expect to hear.  As the graph below shows, the physics works exactly as expected. Given the physical dimensions I can predict the frequency I recorded on the audio quite accurately. There is nothing strange going on with the physics, the road has just been built with most of the grooves too close together.
What I can’t fathom, is why it was built wrong the second time? Didn’t anyone notice the old road needed re-tuning? Luckily, although it lacks musicality, it is still a lot of fun to drive over.
 I set the car speed based on the frequency of the first note and used cruise control to keep the speed constant.